About SongGenie
Trusted by Sony, Universal (and Warner Chappell)
SongGenie was built by one producer, Max, working remotely from London with singer-songwriters who want a body of work they're proud of.
Max has years of experience producing and mixing artists who've racked up over 100 million streams on Spotify alone. Trusted by Universal, Sony and Warner Chappell, he combines passion and creativity with a methodical, experienced hand.
Major labels we've worked with
The Story
From touring musician to producer
Max spent his youth as a touring musician all over Europe, first as a drummer, then a synth player/vocalist, and finally a session guitarist. As a result he's got a well-rounded set of skills that complement any production.
Most importantly, he's been on the artist side of the production process and knows what it's like to hand over control of your ideas to a third party. Alongside the touring, he worked as a producer/mixer for both indie and major labels, working with artists like The Beach and Bastille, and some small bits for the now legendary 1975.
But it was time spent producing budding singer-songwriters where the need for a consistent production and release schedule became apparent. Max watched countless great songs get fewer than 1,000 plays on Spotify, leading artists to hold up their hands and say "I tried". SongGenie was born to fix that.
SongGenie's goal is to put singer-songwriters in control. Whether you want a body of work you can be proud of, or want to build the foundations of a career, get in touch today to see how SongGenie can help you reach the next level in your journey.
How We Work
Full production, live musicians, a clear process
Production
Max produces, engineers and mixes every song himself. You deal with one person the whole way through, and he deals with all the live musicians.
Release Guidance
We'll help you get set up with distributors, write your artist bio, and put together a release strategy that keeps momentum going from one song to the next.
Live Musicians
Real players, not samples, wherever a song needs them. Guitars especially. It is the difference between a track that sounds programmed and one that sounds like a band.
Ready when you are
Stop letting good songs die on your hard drive
Everyone has the folder. The one full of nearly-theres you keep meaning to get back to. Pick one, and let's finish it properly.